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What the Eye Hears: A History of Tap Dancing (2015) by Brian Seibert [Dr Soc] epub

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  Brian Seibert, "What the Eye Hears: A
History of Tap Dancing"
  ISBN: 0865479534 | 2015 | EPUB | 624 pages | 6.4 MB
  
  Finalist for the
National Book Critics Circle Award in Nonfiction
  
  Magisterial, revelatory, and-most suitably-entertaining,
What the Eye Hears offers an authoritative account of the great American art of tap dancing. Brian Seibert, a dance
critic for The New York Times, begins by exploring tap's origins as a hybrid of the jig and clog dancing from the
British Isles and dances brought from Africa by slaves. He tracks tap's transfer to the stage through blackface
minstrelsy and charts its growth as a cousin to jazz in the vaudeville circuits and nightclubs of the early twentieth
century. Seibert chronicles tap's spread to ubiquity on Broadway and in Hollywood, analyzes its decline after World War
II, and celebrates its rediscovery and reinvention by new generations of American and international performers. In the
process, we discover how the history of tap dancing is central to any meaningful account of American popular culture.
This is a story with a huge cast of characters, from Master Juba (it was probably a performance of his in a Five Points
cellar that Charles Dickens described in American Notes for General Circulation) through Bill Robinson and Shirley
Temple, Fred Astaire and Ginger Rogers, and Gene Kelly and Paul Draper to Gregory Hines and Savion Glover. Seibert
traces the stylistic development of tap through individual practitioners, vividly depicting dancers both well remembered
and now obscure. And he illuminates the cultural exchange between blacks and whites over centuries, the interplay of
imitation and theft, as well as the moving story of African-Americans in show business, wielding enormous influence as
they grapple with the pain and pride of a complicated legacy. What the Eye Hears teaches us to see and hear the entire
history of tap in its every step.
  
  
  
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